Elisabeth Klinck | Barbie Mukoda / Elien De Schryver /  Andrea Bolzoni (trio)
May
1
7:00 pm19:00

Elisabeth Klinck | Barbie Mukoda / Elien De Schryver / Andrea Bolzoni (trio)

Elisabeth Klinck is a contemporary violinist, composer and performer based in Brussels. With a background in electroacoustic composition and theatre she navigates through emotional landscapes using intimate sound textures and atmospheric tones. The night opens with an improvised music trio of Barbie Mukoda (flutes), Elien De Schryver (violin), and Andrea Bolzoni (guitar).

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Miskatonic: Blood Work: The Craft and Culture of Gore Cinema
May
12
7:00 pm19:00

Miskatonic: Blood Work: The Craft and Culture of Gore Cinema

Often dismissed as gratuitous or artistically empty, gore remains one of horror cinema’s most contested pleasures. This lecture reframes gore as an aesthetic practice rooted in tactility, craft, and collaboration. Tracing the devaluation of gore films and their fandoms, it situates graphic violence within broader artistic traditions and examines practical effects as a form of resistance to digital smoothness.

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THE NOISY WOMEN PRESENT & FRIENDS + KANENG LOLANG
May
15
7:00 pm19:00

THE NOISY WOMEN PRESENT & FRIENDS + KANENG LOLANG

Join some of The Noisy Women Present co-founders; Faradena Afifi, Maggie Nicols & Gwendolyn Kassenaar as part of an exciting lineup from this mixed arts collective!

With Steve BeresfordDee ByrneCharlie Folorunsho, Bea HebronNingrui Liu aka Akira, MajikJo MorrisonAndrew Ciccone, Anjalika SagaBettina SchroederNicky SmithJames A SmithFelix X TigersonicGardyloo Spew & Julian Woods

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Miskatonic: The Finder and The Moon: Real UFOs Caught on Film
Jun
9
7:00 pm19:00

Miskatonic: The Finder and The Moon: Real UFOs Caught on Film

Mark Pilkington, author of the UFO meta-conspiracy classic Mirage Men, presents a curated selection of his favourite filmic artefacts from the flying saucer era and beyond. Against the backdrop of the longest sustained wave of UFO coverage in the United States since the 1940s—culminating in a series of inconclusive congressional hearings—this lecture examines how moving images shape belief, doubt, and wonder.

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Sunday Screenings: Nitrate Kisses + Lot In Sodom with live score (afternoon event)
Apr
26
1:00 pm13:00

Sunday Screenings: Nitrate Kisses + Lot In Sodom with live score (afternoon event)

A series of afternoon underground queer cinema at The Horse Hospital. Nitrate Kisses (1992) is the first feature documentary by Barbara Hammer, a pioneer of lesbian cinema. It weaves striking images of four gay and lesbian couples with footage of an unearthed forbidden and invisible history. Archival footage from the first gay film in the U.S., Lot In Sodom (1933) is interwoven in this haunting documentary. This will be screened proceeded the film, with a live score.

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MINDWARCINEMA: The Arrival | Tanner F. Boyle & Mark Pilkington in converstaion
Apr
23
7:00 pm19:00

MINDWARCINEMA: The Arrival | Tanner F. Boyle & Mark Pilkington in converstaion

Mindwarcinema present a screening of the cult classic The Arrival (1980), directed by Ruth Norman of The Unarius Academy of Science. The screening will be accompanied by an in conversation between Tanner F Boyle, author of Getting Spooked and The Fortean Influence on Science Fiction) and Mark Pilkington (author of Mirage Men and publisher of Stranger Attractor Press).

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Sunday Screenings: Black Is… Black Ain't + Tom Rubnitz short films (afternoon event)
Apr
19
1:00 pm13:00

Sunday Screenings: Black Is… Black Ain't + Tom Rubnitz short films (afternoon event)

A series of afternoon underground queer cinema at The Horse Hospital. Black is… Black Ain’t (1995) is the final film of director Marlon Riggs. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of Blackness. Hooked up to an IV in his hospital bed, Riggs takes strength for his struggle against AIDS from the continual resilience of the African Americans in the face of overwhelming oppression. The screening is proceeded by a selection of shorts by video artist Tom Rubnitz.

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Miskatonic: Be One of the Good Ones: His House and Colonial Capitalist Hauntings
Apr
14
7:00 pm19:00

Miskatonic: Be One of the Good Ones: His House and Colonial Capitalist Hauntings

His House (2020) is a ghost story about displacement, precarity, and the inescapable afterlives of empire. This lecture situates the film within a global “horror cinema of precarity” that uses the genre to address marginalised experiences. Drawing on postcolonial Gothic and hauntological theory, it explores how Britain’s imperial and capitalist legacies haunt the film atmospherically rather than corporeally.

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Mataio Austin Dean (with ensemble) | Bianca Wilson
Apr
12
7:00 pm19:00

Mataio Austin Dean (with ensemble) | Bianca Wilson

An evening of folk music from Mataio Austin Dean (of Shovel Dance Collective and Les Caravanes) with ensemble, and a solo set from Bianca Wilson (of The Pegwells and Calliope). Austin Dean will be performing an extended, improvised performance (including poetry readings and fragments of other songs) of the Guyanese folk song, August Morning.

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Sunday Screenings: Buddies + Tom Rubnitz short films (afternoon event)
Apr
12
1:00 pm13:00

Sunday Screenings: Buddies + Tom Rubnitz short films (afternoon event)

A series of afternoon underground queer cinema at The Horse Hospital. Buddies (1985), directed by Arthur Bressan Jr., was the first narrative film made about AIDS. Alongside Buddies, Bressan is known for the documentary Gay USA and a number of pornographic films. The screening will be proceeded by a selection of shorts directed by the video artist and AIDS activist Tom Rubnitz.

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