Album launch: Robert Stillman Margate Radio Strings + Drummers  | Paul Camo + James Jordan Johnson
Jun
28
7:00 pm19:00

Album launch: Robert Stillman Margate Radio Strings + Drummers | Paul Camo + James Jordan Johnson

Margate Radio Strings + Drummers is Robert Stillman's suite of chamber music stemming from the archive of his monthly solo improvisation broadcasts for Margate Radio. Featuring Raven Bush (violin); Kareem Dayes and Francesca Ter-Berg (cello); Tom Herbert (bass); Tom Skinner and Sean Carpio (drums and percussion). Paul Camo and James Jordan Johnson collaborate through live sound performance, unfolding across four CDJs, moving between structure, disruption and shared listening.

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Miskatonic: The Finder and The Moon: Real UFOs Caught on Film
Jun
9
7:00 pm19:00

Miskatonic: The Finder and The Moon: Real UFOs Caught on Film

Mark Pilkington, author of the UFO meta-conspiracy classic Mirage Men, presents a curated selection of his favourite filmic artefacts from the flying saucer era and beyond. Against the backdrop of the longest sustained wave of UFO coverage in the United States since the 1940s—culminating in a series of inconclusive congressional hearings—this lecture examines how moving images shape belief, doubt, and wonder.

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THE NOISY WOMEN PRESENT & FRIENDS + KANENG LOLANG
May
15
7:00 pm19:00

THE NOISY WOMEN PRESENT & FRIENDS + KANENG LOLANG

Join some of The Noisy Women Present co-founders; Faradena Afifi, Maggie Nicols & Gwendolyn Kassenaar as part of an exciting lineup from this mixed arts collective!

With Steve BeresfordDee ByrneCharlie Folorunsho, Bea HebronNingrui Liu aka Akira, MajikJo MorrisonAndrew Ciccone, Anjalika SagaBettina SchroederNicky SmithJames A SmithFelix X TigersonicGardyloo Spew, Pete Gomes, Daniel Oduntan, Nini Sakhrie & Julian Woods.

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Miskatonic: Blood Work: The Craft and Culture of Gore Cinema
May
12
7:00 pm19:00

Miskatonic: Blood Work: The Craft and Culture of Gore Cinema

Often dismissed as gratuitous or artistically empty, gore remains one of horror cinema’s most contested pleasures. This lecture reframes gore as an aesthetic practice rooted in tactility, craft, and collaboration. Tracing the devaluation of gore films and their fandoms, it situates graphic violence within broader artistic traditions and examines practical effects as a form of resistance to digital smoothness.

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