A circus of live and recorded sound, with live performances from Vindicatrix, Vanessa Cognizance and Shakeeb Abu Hamdan, as well recorded works from Charmaine Lee, Glands Of External Secretion, Piano Grande and Mark Gomez.
LIP BAR is a collaborative event organised by London-based curatorial projects Silver Road, Muckle Mouth and Apologies in Advance combining live and recorded sound and performance.
Psychic Communities is a programme of exhibitions and events taking place from October to Decemeber 2019 at The Horse Hospital which looks at community-forming mechanisms that operate beyond verbal and visual transmission through sensual, sexual, spiritual, embodied and tacit forms of connection.
£2 unwaged
£5 low on funds
£10 General admission
RELATED EVENTS
Mindwarcinema present a screening of the cult classic The Arrival (1980), directed by Ruth Norman of The Unarius Academy of Science. The screening will be accompanied by an in conversation between Tanner F Boyle, author of Getting Spooked and The Fortean Influence on Science Fiction) and Mark Pilkington (author of Mirage Men and publisher of Stranger Attractor Press).
A series of afternoon underground queer cinema at The Horse Hospital. Nitrate Kisses (1992) is the first feature documentary by Barbara Hammer, a pioneer of lesbian cinema. It weaves striking images of four gay and lesbian couples with footage of an unearthed forbidden and invisible history. Archival footage from the first gay film in the U.S., Lot In Sodom (1933) is interwoven in this haunting documentary. This will be screened proceeded the film, with a live score.
A unique interaction of film and live performance, where the narrator/performer exists in many different shapes and places.
Often dismissed as gratuitous or artistically empty, gore remains one of horror cinema’s most contested pleasures. This lecture reframes gore as an aesthetic practice rooted in tactility, craft, and collaboration. Tracing the devaluation of gore films and their fandoms, it situates graphic violence within broader artistic traditions and examines practical effects as a form of resistance to digital smoothness.
Mark Pilkington, author of the UFO meta-conspiracy classic Mirage Men, presents a curated selection of his favourite filmic artefacts from the flying saucer era and beyond. Against the backdrop of the longest sustained wave of UFO coverage in the United States since the 1940s—culminating in a series of inconclusive congressional hearings—this lecture examines how moving images shape belief, doubt, and wonder.
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