whatever51 hosts a release party of his new album Presence, joined by Eli-O, thirdeye and ijji
Doors 7pm
Tickets £8/12/15
whatever51 is a French composer and producer. He has released several EPs and mixtapes, including Lost Islands (2022), Parallel (2023), and Coda (2025), where ambient and modern classical influences intertwine. His sonic world blends electronic textures with orchestral tones to create hypnotic, slow-burning landscapes.
His first album, Presence (2026), represents the natural continuation of his previous work, carrying forward a sonic universe shaped by modern classical, drone, and experimental electronic influences.
thirdeye is a composer & producer based in France.
Oscillating between dark ambient layers and more colorful distorted textured melodies, he explores different emotions through his music. Alongside his work as a producer, he also composes, mixes and illustrates ambient projects himself.
His latest solo release Stalk is a deeply immersive dark ambient black metal 3-track EP. His many collaborations include artists such as Ian, jackzebra, Joeyy, Marlon Dubois, yuri online, $amaad, Eddie Gianni & bloody shield.
Originally from Albi and now based in Paris, Eli-O is a producer exploring the friction between noise and harmony. His sound is a constantly shifting mix of organic textures, processed vocals, and atmospheric experimentation.
His recent output has been prolific, marked by a 2025 run that included the ambient EP 9 Paths and a contribution to the Frozen Starz remix album by O Lethe. This followed a breakthrough in 2023 with last message of a blurred boy, where he began integrating his own voice into hazy, melodic structures.
From the rhythmic drive of MyLittleBallad to the darker, distorted depths of Beauty of a Submerged Tape, Eli-O continues to strip back his sound with his latest projects, The Door Was Ajar and Chronicle of an Ant’s Life, which focus on more minimal and evolving ambient layer.
ijji is an artist and producer from Aotearoa working within the ambient plugg scene. His work focuses on blending the skeletal frame of trap with weightless 808s and celestial melodies that glide into the atmosphere, leaving only the bare bones of the sound behind.