An evening of experimental performance, featuring the ritualistic industrial music of Australian group The Omega Point.
Doors 7pm
Tickets £8-12 Sliding Scale
The Omega Point are an art and music collective, who contemplate how to capture the traces of humanity within an accelerating technological culture. In particular, their unique ability to seek meaning and purpose through myth creation, ritual, song and dance.
Described as the makers of 'a wild brand of apocalyptic art music' by Stuart Buchanan, Digital Curator of The Sydney Opera House, The Omega Point is a Melbourne/Narrm-based music project and art collective of Alex Clouston, blending electronic music with immersive, performative storytelling, Alex will be joined on this EU tour by their collaborator- the majestic vocalist, harpist and saxophonist Awreliya.
Photography: Wenmiao Xin
NiCKY is a London-based artist, composer, musician and former clown. A vital voice in London's queer performance scene, NiCKY is known for their disarming, emotionally charged songwriting - part torch song, part bedroom synth fantasy. Recent work includes scores for Tomorrow is Already Dead (Soho Theatre), the AIDS Plays Project and their new EP with released 28 October (PRAH Recordings).
Awreliya is the Melbourne based doomsoul project led by songwriter and multi‑instrumentalist Aurelia Fiorentino. Marrying gospel harmonies and metal vocals , she uses her sonic realm as alchemy to unthread wounds and unfold sanctuary. Known for her primal belting Awreliya weaves banshee screams over distorted guitars and haunting ambient textures. With the heaviness of sludge and the heavenly harmony of neosoul and jazz, her music feels more like a spell, going from meditation to excorcism and back again. Inspired by Hiatus Kaiyote, Dilly Dally and Mavis Staples.
Jeanie Crystal is a London-based artist whose creative practice spans music, performance, and directing. Emerging from the East London club scene, she gained notoriety as a DJ, co-founder of FabooTV, and visual director—cementing her commitment to queer, DIY, underground culture. Her latest directing work includes It’s Where I’m From by The Moonlandingz featuring Iggy Pop, and she currently has an art installation on view at Southwark Park Galleries.
Her musical output includes the acclaimed single Jeanie’s Manifesto on Super Drama Records—bold, boundary-pushing, and riotously fun. Now fronting Jeanie and the White Boys, she channels punk’s raw energy through a bluesy, theatrical lens.
As a director, Jeanie blends theatricality, sexuality, and provocation to subvert norms and elevate queer and marginalized voices in visual storytelling.