The Miskatonic Institute of Horror Studies – London
7pm - 10pm (Film + Lecture)
£10 advance (click here) £11 on the door Prices / £8 concs (click here)
*Pilot season: monthly classes from January to June 2015, Second Thursday of the month, 8 January, 12 February, 12 March, 9 April, 14 May, 11 June
Engulfed by Nature: Psychological and Supernatural Landscapes
Instructor JASPER SHARP
There is magic all around us’, Udo Kier famously states at a key point in Dario Argento’s Suspiria (1977), a sentiment reiterated by one of the characters in Richard Stanley’s Dust Devil (1992), which sees its protagonists drawn out of their mundane suburban environment in small-town South Africa into the heart of the Namib desert to be confronted by their darkest demons.
Stanley’s film in particular presents a sublime example of how landscape and elemental conditions can be evoked to express dangerous forces existing beyond man’s perceptual and belief systems, but also, in contrast, how heightened psychological states can be given visual form through use of such timeless spaces, taking the viewer out of their comfort zones and back into nature at its most wild, mysterious and untamed.
In an ever-urbanising world, the textures, rhythms and sounds of nature can be made to seem increasingly alien and alienating on film, making us realize we are but a small part of a wider world beyond our control. Works ranging from Kaneto Shindo’s Onibaba (1964) through José Larraz’s Symptoms (1974) and Jerzy Skolimowski’s The Shout (1978) reframe our perceptions, interrogating the boundaries between the physiological and the supernatural, as interior worlds collapse beneath the weight of exterior ones.
This lecture and screening by Jasper Sharp will look at how such mysterious invisible forces of nature are given vent in a number of films depicting the rupture between these rational and irrational domains. It will explore how pantheistic belief systems that hold that spirits reside in everything, such as Japan’s Shinto religion, overlap with a British folk tradition of supernatural writers such as Arthur Machen and William Hope Hodgson, and how foreign directors often have a keener, more nuanced eye for the expressive potential of the English landscape to portray characters off-kilter with their environment.
About the instructor:
Jasper Sharp is a writer, curator and filmmaker. He is the co-founder of Midnight Eye.com, since 2001 the premier online resource in the English-language about Japanese cinema. His book publications include The Midnight Eye Guide to New Japanese Film (Stone Bridge, 2003), joint-written with Tom Mes, Behind the Pink Curtain (FAB Press, 2008) and The Historical Dictionary of Japanese Film (Scarecrow 2011). His writing has appeared in publications all over the world, including Sight & Sound, The Guardian, Variety, The Japan Times, Kateigaho and Film International, and he has contributed liner essays, commentaries and interviews to numerous DVD releases. He has curated high profile seasons and retrospectives with organisations including the British Film Institute, Deutches Filmmuseum, Austin Fantastic Fest, Cinematheque Quebecois and Thessaloniki International Film Festival. Between 2010-14, he was the director of Zipangu Fest, established to showcase Japanese independent film in the United Kingdom, and is currently the programme director of Asia House Pan-Asian Film Festival. He is the co-director, with Tim Grabham, of The Creeping Garden (2014), a documentary about slime moulds and the people who study and work with them, which won the Best Documentary Filmmakers Award at Fantastic Fest in Austin. A book of the film, The Creeping Garden: Irrational Encounters with Plasmodial Slime Moulds, is due for publication by Alchimia in the Spring of 2015.
The Miskatonic Institute of Horror Studies is pleased to announce the opening of its London branch on January 8th, which will be based at the heart of the city’s underground culture, the Horse Hospital.
In its pilot semester, running from January to June 2015, the Miskatonic Institute will offer monthly lectures exploring the more obscure corners of horror and fantastical cinema, which will be taught by established writers, directors, scholars and programmers. It aims to be a nurturing environment for horror fans and scholars that will inspire intellectual curiosity and critical debate in a friendly atmosphere, as well as build a community around shared enthusiasm for the genre.
Among the topics to be discussed are Jesus Franco, landscapes in horror, classroom safety films and sado-masochism. Instructors include prominent horror expert Kim Newman, author of Nightmare Movies and Cat People; horror and exploitation writer Stephen Thrower, author of Nightmare USA and Murderous Passions: The Delirious Cinema of Jesus Franco; Kier-La Janisse, author of House of Psychotic Women and founder of Spectacular Optical Publications; Mark Pilkington, author of Mirage Men and director of Strange Attractor Press; Jasper Sharp, author of Behind the Pink Curtain and director of the documentary The Creeping Garden; Virginie Sélavy, founder of Electric Sheep and editor of The End: An Electric Sheep Anthology.
These classes will introduce participants to less well-known aspects of the horror and fantastical realm, equip them with a more sophisticated critical apparatus as well as provide historical perspective. It will explore how this vital area of cinema delves into the sources of our fears and desires, and dramatizes the most unsettling aspects of our relationship to the natural and social world, as well as to others. It will also examine how the genre has created some of the most wildly inventive sonic and visual forms in cinema.
Named for the fictional university in H.P. Lovecraft’s literary mythos, The Miskatonic Institute of Horror Studies is a non-profit, community-based organization that started in Montreal, Canada. Founded by Kier-La Janisse in March of 2010, Miskatonic Montreal now operates under the leadership of co-directors Mario DeGiglio-Bellemare and Kristopher Woofter. Miskatonic London operates under the co-direction of Kier-La Janisse and Virginie Sélavy.
The Miskatonic Institute of Horror Studies welcomes donations.