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		<title>NEW YORK: I DON’T KNOW ABOUT YOU BOYS, I’M GETTING ME SOME DONUTS BY TED DAVE</title>
		<link>http://www.thehorsehospital.com/miscellaneous/elsewhere/new-york-i-don%e2%80%99t-know-about-you-boys-i%e2%80%99m-getting-me-some-donuts-by-ted-dave/</link>
		<comments>http://www.thehorsehospital.com/miscellaneous/elsewhere/new-york-i-don%e2%80%99t-know-about-you-boys-i%e2%80%99m-getting-me-some-donuts-by-ted-dave/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 17:19:52 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Elsewhere]]></category>
		<category><![CDATA[Miscellaneous]]></category>

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			<content:encoded><![CDATA[<p>Here in New York we’re staying in Brooklyn, just under the Williamsburg Bridge, a testament to Victorian construction; albeit the work of American Victorians. Built as the nineteenth century gave way to the twentieth, the bridge seems to be undergoing one of those Forth Bridge exercises, a rolling programme of repairs augmented by an encroaching substructure of red girders reaching out from Manhattan, across the East River, to form the additional lanes upon which traffic and the silver subway will straddle.</p>
<p><a name="more"></a></p>
<p>And I can assure you that work is going well, for the jack-hammers kick off at around about seven, spot on time to disturb our return to slumber having lain in the July heat for a couple of hours wrestling with the jetlag that always punishes me for daring to leave the old country.</p>
<p>This is now my sixth visit to the Windy Apple and it finally seems like home. I don’t have the feeling of being an outsider, rather just another Brit at large. I find my New Yorker argot with ease, the casual Americanisms that pepper our language, the swarf from the friction of so much mediated modern day colonial excess on tee-vee, the movies et bleeding cetera, now firmly embedded in my speech.</p>
<p>I clutch the familiar patterns of speech, my atrocious melding of an American English to English &#8211; English that embraces the very worst of The Simpsons, Friends and the genius of the Bill and Ted movies. Fortunately, I usually notice this within a few days and then perform a very rapid about turn, seeking to prove my very Englishness, adjusting my speech patterns, subsuming my diction to a sound not heard since Her Majesty’s Xmas day speech. Identity is a funny old thing. I should blame Sting really for glamourising the notion of being Old World other in this odd town, but if I had to think of a tune, it’d be Richard Ashcroft’s eponymous paean to New York.</p>
<p>That song is a frenetic call to explore a new town, the wild appeal of a twenty-four hour have-it-now town, where the funny money all looks the same and begs to be spent. A handful of bills might be a fiver, it might be a weeks earnings, either way it demands to be used, to be spent in a town that will so easily assist, in a ‘city that never sleeps’. And that’s the overwhelming identity I adopt, my crie de couer ‘consume‘, my bank balance trotting dutifully along, my late youth lubricated by the voodoo of modern economies and my own failure to check my every desire.</p>
<p>This is where Williamsburg really is a saving grace, its quieter charms curbing my spending. On previous occasions I’ve stayed on Manhattan, down in the once hip but now fashionable Lower East Side. Hip in the way Hoxton used to be, and fashionable in the way that Hoxton has become; which is to say not quite dreadful. The LES was ground zero to the tattooed and pierced crowd of yesteryear, but now they’ve all migrated to lower rents and a less intense lifestyle across the river. Williamsburg has it fair share of expensive boutiques, and its fair to say its day of being a cheap and cheerful alternative to the neurotic lifestyles perpetrated by living cheek by jowl with a million others on the island, has passed. Nevertheless, it retains a calm and relaxed air. The streets are wider, the architecture lower and the steady sprawl of inner city regeneration born of freak and artist infestation holds its path predominantly to perhaps fifteen blocks off of Bedford Avenue. One has only to drift a few blocks from this central thoroughfare to find (graffiti) bombed warehousing and huge Mack trucks unloading pallets. The industrial application of school learnt chemistry and the triumph of a working power station can be observed within a five-minute walk. But then again that is very much NY. The ease of passage facilitated by the simple grid of streets makes it so much simpler to discern the transition of sub-culture and ethnic group as one moves through the city. A few blocks south of Williamsburg’s latter day freak scene lies the streets of the Hassidic Jewish community.</p>
<p>Living in brownstone housing redolent of an eastern Europe somewhere back in the nineteenth century, these most orthodox of the Jewish faith, can be found in our very own Stamford Hill. Whereas the near suburban qualities of English housing make for incongruity and distraction here the near period perfect architecture serves to enhance the sheer weirdness of a culture not completely free of the nineteenth century. Cleaving to orthodoxy extracted from the Torah, the Hassidim forgo many of the elements of modern life and, depending upon the extent of their interpretation, much of its sartorial aesthetic.</p>
<p>Indeed, it is the appearance of the Hassidim that alerts one to their curious provenance. The men stick to a particularly anachronistic style of dress, huge hats, ancient dress coats and for some stockinged legs. Certainly, you’ve espied these gentlemen if not in En Sixteen, then mooching down in Hatton Garden on business. Of course, you notice the ringlets, long curls of hair on either cheek flow from shaved heads, a tonsorial affectation born of biblical interpretation:</p>
<p>There is a prohibition against shaving male&#8217;s sideburns higher than the level of the jawbone. This is tied in with biblical prohibitions against self-mutilation such as tattoos, all-body shaving, piercing etc, as was the custom amongst gentile warriors. The Hassidic long side-curls is this prohibition taken to its extreme</p>
<p>Well I guess worse has been born of such literalness and seeing the Hassidim amidst an architecture built in the century before the last one, well it ends up not as incongruous but just so very New York!</p>
<p>And then there is the seemingly incorrigible fertility of these folks. As a faith that doesn’t proselytise and for whom a solemn marriage convention precludes wedlock with gentiles or other Jews, the urgency to reproduce seems to have fallen upon the Hasidim. Combined with what I can only presume is a no first use contingency upon prophylaxis, families in double figures are the norm. The Rabbi we met on the plane had twelve kids, seven in tow; a Rabbi on an Air India flight performing his religious duties at the back of the plane: exquisite! But in this portion of Brooklyn, street corners are occupied by clutches of, well they’re probably called perambulators, and I swear we saw a crescent of seven arrayed outside a lingerie store, no sign of the mothers.</p>
<p>We stopped by a wedding wear shop to try and catch some footage for our little movie. An aura of ritual pervades the shop, the ringleted staff picking out the most delicious of frock coats for those to be wed. In Judaism, marriage is the most auspicious route towards God’s plan. No devout ascetic swearing off of the ‘pleasures of the flesh’ here. Rather a serious and committed union of two parts of the same soul procreating for the greater good; and there is active encouragement to attain union on the Sabbath. . . now here is a religion I’m beginning to respect! What with those ringlets, a slight deviation from orthodoxy in the shape of a few tattoos on my arms a couple of piercings and I’d have a fabulous little sub-culture all of my own; and one that decrees I should fornicate on the Sabbath: fantastic!</p>
<p>Back in the outfitters and as time passes we get talking to the oldest of the men and the subject that has been the ghost at our feast is finally broached: The Twin Towers. Their passing leaves emptiness across the water, the hubbub of Down Town, the action and activity at the heart of Wall Street is now without focus, the buildings clustered round the hem of the Towers now must carry the weight of this city’s business life. And with the passing of the Towers, some part of the glamour and majesty of the city has passed. The towers stood as so much that is New York. You have to admire the sheer bloody genius of the al Qaeda plan. A trillion dollar army couldn’t stop a handful of blokes from stealing something so special from this incredible city. New York will have to work to replace that something, to replay the triumphant and exuberant presence that the Towers bestowed upon the City.</p>
<p>I struggle to conceive of a similar target in London. If the Palace of Westminster were to go, well, I wouldn’t miss that pile of bricks and maybe we’d end up with something that reflected this century rather than the governing priorities of the one before the last. Buckingham Palace: take it now and all that dwell within. London is a sprawl of that which is special, its organic and time-worn structure the very charm in which we live. No one part is that vital, no part signifies London, unless of course those planes started falling from the skies onto Routemaster buses. But until that day, London is safe from that which has befallen NYC. The Towers, so much more than the shabby and claustrophobic Empire State Building, were New York. Their absence has changed irrevocably the city of my dreams.</p>
<p>We took the Staten Island Ferry, a free trip out from the bottom of the island and back that affords a great view of the corporate blocks all bunched up around the bottom of Manhattan: Down Town. As we returned to Manhattan, amidst the flash-pop tourists on deck the view from the bow was compromised, but a piece of helpful advice from a local got us up onto the bridge. My enthusiasm for the vista was met with a calm if perhaps weary retort from the captain, ‘it used to be a whole lot better’. And there it was, the famous New York sass, the fuck you buddy attitude seemed to have gone. It’s become a cliché from our foreign correspondent’ but people here do seem genuinely friendlier.</p>
<p>Still New Yorkers, still confident and, for an Englishman, remarkably free of class-consciousness &#8211; if you’re a Hispanic busboy, cleaning tables for minimum wage, I’m sure this is an observation that makes little sense &#8211; but now muted. The scar of 911 has done ‘um some good. Last September I was in San Francisco, readying to fly home. On the 11th I came down into the lobby of the grubby backpackers hotel I was staying at to be greeted by the concierge’s very apparent and fearful cry ‘America is under attack’. Now, I’m neither proud nor ashamed but my gut reaction as I descended two steps at a time reveals a great deal: ‘you fucking deserve it’.</p>
<p>Now, here, in NYC, meeting people who lost friends in the attack I have cause to reflect on my response: the deaths in Afghanistan and Bush’s foreign policy acting out the self-interest of a defence lobby still smarting from the post-cold war cutbacks. The talk now, in this world of ‘international terrorism’ is of RMA (revolution in military affairs) and you just know that new strategies for future war are going to benefit the military and the industrial. . . I don’t want to hark back to reminders of undergraduate conspiracy theories but it’s a complex subject. All those bits of hardware linked up by the ferocious potential of software technologies, co-joined so the whole damn thing becomes a video game in which not a single American dies: that’s a tall (and expensive) order. Objections to vast projects that empower agencies with their own bureaucratic interests and agendas become cluttered by appeals to patriotism and, more offensively, xenophobia. Under the auspices of Bush, a ruler caught in a fine mesh of compromise, his power the function of so many despicable vested interests and a father – son relationship that would keep many a Shakespearean scholar in work, the blatant way in which the interests of the extremely rich are furthered is shocking.</p>
<p>I wrestle with the calculations, how all that money could probably feed the world, or water it, or stop the haemorrhaging from illness or disease (AIDS 9000 a day, just for instance) or keep a cadre of billionaires in the style to which they are accustomed . . . its alarming to find myself returning to the rhetoric of my student days, but being in America throws me back into a world of naive astonishment at the sheer wrongness of it all; I am that angry young man once again. My sympathies for the dead are caught in the twister of my ideological commitments. I mourn all death, but the distance, the sanctimoniousness of the American Empire, its military, economic and cultural grip on power, these and a thousand other things make it so much easier to despise America, especially now its being ruled by and for the super rich. All these feelings befall me whilst we idle our time away, here at the heart of the Empire, the safety of hipsville New York.</p>
<p>So I’m reduced to ranting, to spluttering disbelief at each and every turn. Not how one would choose to holiday but we’re not in America to holiday, but rather to make a documentary / travelogue about the American Experience. Think Kerouac with a camcorder, think politics student high on Chomsky, think agit-prop in the age of reality tee-vee. We’ve got it all and we’ll keep you informed. After all, they say, travel broadens the mind. . .</p>
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		<title>MERRY XMAS &amp; HAPPY NEW YEAR</title>
		<link>http://www.thehorsehospital.com/miscellaneous/elsewhere/merry-xmas-happy-new-year/</link>
		<comments>http://www.thehorsehospital.com/miscellaneous/elsewhere/merry-xmas-happy-new-year/#comments</comments>
		<pubDate>Sat, 26 Dec 2009 12:51:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Elsewhere]]></category>
		<category><![CDATA[Miscellaneous]]></category>

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		<description><![CDATA[Happy holidays to all of you and see you in 2010! We are back on Monday January the 4th.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thehorsehospital.com/archives/image121eg8%20copy.jpg"><img src="http://www.thehorsehospital.com/archives/image121eg8%20copy-thumb.jpg" alt="image121eg8 copy.jpg" width="442" height="479" /></a><br />
Happy holidays to all of you and see you in 2010!<br />
We are back on Monday January the 4th.</p>
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		<title>PULP</title>
		<link>http://www.thehorsehospital.com/past/the-chamber-of-pop-culture-past/pulp/</link>
		<comments>http://www.thehorsehospital.com/past/the-chamber-of-pop-culture-past/pulp/#comments</comments>
		<pubDate>Wed, 23 Dec 2009 21:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past The Chamber of Pop Culture]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=462</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="color: #ff0000;">Thurs 3rd December &#8211; Weds 23rd December</span></span><br />
Mon &#8211; Sat 12pm &#8211; 6pm<br />
Artist Reception<br />
<span style="font-size: medium;"><span style="color: #ff0000;">Weds 2nd December 7:30pm</span></span><br />
<a onclick="window.open('http://www.thehorsehospital.com/archives/Pulp.html','popup','width=624,height=755,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://www.thehorsehospital.com/archives/Pulp.html"><img src="http://www.thehorsehospital.com/archives/Pulp-thumb.jpg" alt="" width="442" height="534" /></a><br />
In the spirit of our eclectic history, The Horse Hospital is proud to present its first annual print show.<br />
Featuring collages, etchings, prints, lino cuts, fanzines, artists books and anything and everything paper by 18 legendary and emerging artists from diverse traditions and disciplines.<br />
Hannah Bays // Christian Brett // Alex Czinczel // Stephen Fowler // Carl Hoare // Serena Korda // Le Gun // Laurie Lipton // Stu Mead // Frederic Morris // Mark Pawson // Patrick Moran // Rob Ryan // Savage Pencil // Gee Vaucher // Cathy Ward // Ski Williams // Joe Wilson // Zeel<br />
Come join us on Wednesday the 2nd of December for the private view and pre-xmas drinks with DJs Nervous Stephen and Rocky.</p>
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		<title>XMAS KINO // Santa Claus Conquers the Martians</title>
		<link>http://www.thehorsehospital.com/past/kinokulture-past/xmas-kino-santa-claus-conquers-the-martians/</link>
		<comments>http://www.thehorsehospital.com/past/kinokulture-past/xmas-kino-santa-claus-conquers-the-martians/#comments</comments>
		<pubDate>Fri, 18 Dec 2009 20:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past Kinokulture]]></category>

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		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="color: #ff0000;">Friday 18th December</span></span><br />
Doors 7:30pm<br />
£5<br />
<a onclick="window.open('http://www.thehorsehospital.com/archives/santa_claus_conquers_martians_poster_01.html','popup','width=709,height=1070,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://www.thehorsehospital.com/archives/santa_claus_conquers_martians_poster_01.html"><img src="http://www.thehorsehospital.com/archives/santa_claus_conquers_martians_poster_01-thumb.jpg" alt="" width="442" height="667" /></a><br />
Santa Claus Conquers the Martians<br />
Dir: Nicholas Webster 1964<br />
Martians, upset that their children have become obsessed with TV shows from Earth which extoll the virtues of Santa Claus, start an expedition to Earth to kidnap the one and only Santa. While on Earth, they kidnap two lively children that lead the group of Martians to the North Pole and Santa. The Martians then take Santa and the two children back to Mars with them. Voldar, a particularly grumpy Martian, attempts to do away with the children and Santa before they get to Mars, but their leader Lomas stops him. When they arrive on Mars, Santa, with the help of the two Earth children and a rather simple-minded Martian lackey, overcomes the Martians by bringing fun, happiness and Christmas cheer to the children of Mars.<br />
<a onclick="window.open('http://www.thehorsehospital.com/archives/santamars4.html','popup','width=766,height=273,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://www.thehorsehospital.com/archives/santamars4.html"><img src="http://www.thehorsehospital.com/archives/santamars4-thumb.jpg" alt="" width="442" height="157" /></a></p>
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		<title>YOU FILL ME WITH INERTIA</title>
		<link>http://www.thehorsehospital.com/past/live-past/you-fill-me-with-inertia/</link>
		<comments>http://www.thehorsehospital.com/past/live-past/you-fill-me-with-inertia/#comments</comments>
		<pubDate>Wed, 09 Dec 2009 22:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past Live]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=459</guid>
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			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="color: #ff0000;">Thursday 10th December</span></span><br />
Doors 7pm<br />
£3<br />
<a href="http://www.thehorsehospital.com/archives/nor%20inta%20copy%205.jpg"><img src="http://www.thehorsehospital.com/archives/nor%20inta%20copy%205-thumb.jpg" alt="nor inta copy 5.jpg" width="442" height="691" /></a><br />
Songs of prose, psychedelic visuals, spoken word, musical mayhem..<br />
Zoe Street Howe and Fortune Teller Press present:<br />
YOU FILL ME WITH INERTIA<br />
THE JOHN MOORE ROCK &amp; ROLL TRIO<br />
Partying like it&#8217;s 1959! Back to basics from members of the Jesus &amp; Mary Chain, Black Box Recorder, Lush and Ride.<br />
VIV ALBERTINE: Delights and insights from the original Slits member.<br />
MR SOLO: Further genius from the David Devant &amp; His Spirit Wife legend, and current guitarist in Glam Chops.<br />
Readings from:<br />
ZOE STREET HOWE:<br />
author of Typical Girls?, the new and esteemed Slits biography&#8230;and musician, actress, etc.<br />
GRAHAM BENDEL: author of A Nasty Piece Of Work &amp; Director of Billy Childish Is Dead.<br />
Poetry from:<br />
SYBIL MADRIGAL (ace, wondrous poet/backed by the musical talents of Alex Ward)<br />
PLUS Terry Edwards (Gallon Drunk) as DJ.</p>
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		<title>Plectrum Live Dec 2009</title>
		<link>http://www.thehorsehospital.com/past/live-past/458/</link>
		<comments>http://www.thehorsehospital.com/past/live-past/458/#comments</comments>
		<pubDate>Sun, 06 Dec 2009 18:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past Live]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=458</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thehorsehospital.com/archives/Plectrum%20Live%20Edition.gif"><img src="http://www.thehorsehospital.com/archives/Plectrum%20Live%20Edition-thumb.gif" alt="Plectrum Live Edition.gif" width="442" height="89" /></a><br />
<span style="font-size: medium;"><span style="color: #ff0000;">Wednesday 9th December 2009</span></span><br />
Doors 7.30pm performance begins 8pm<br />
Tickets: £6/£5 (concessions)<br />
To reserve tickets email: <a href="mailto:guy@theculturalpick.com">guy@theculturalpick.com</a><br />
Each ticket includes a copy of Plectrum magazine issue 4 &amp; one night only entitlement copies of Straight from the Fridge, Dad, which Max will be happy to sign, at the specially reduced price of £14.00<br />
(Please note no credit or debit card facilities are available on the night)<br />
To all you hipsters, zip-gun angels, wolf-trap blondes, throttle jockeys, dungaree dolls, hepcats, bobby soxers, big baracudas, cool cats &amp; real gone daddies&#8230;<br />
Plectrum is scoring it straight for you, with a night that will fry your wig:<br />
<a href="http://www.thehorsehospital.com/archives/Max%20D%C3%A9charn%C3%A9.JPG"><img src="http://www.thehorsehospital.com/archives/Max%20D%C3%A9charn%C3%A9-thumb.JPG" alt="Max Décharné.JPG" width="442" height="664" /></a><br />
<span style="font-size: medium;">Max Décharné:</span><br />
<span style="font-size: small;">Writer</span> (Straight from the Fridge, Dad: A Dictionary of Hipster Slang, Hardboiled Hollywood: The Origins of the Great Crime Films, King&#8217;s Road: The Rise &amp; Fall of the Hippest Street in the World)<br />
<span style="font-size: small;">Rock Musician</span><br />
(The Flaming Stars, Gallon Drunk, Earls of Suave, &amp; Nikki Sudden)<br />
&amp;<br />
<span style="font-size: small;">Righteous Lounge Lizard</span><br />
will be Waxing lyrical about Hipsterville from the 1920s to the late 1960s with an illustrated and record accompanied performance centred on the jam packed new edition (more entries, more pictures, more juice, more jive) of Straight from the Fridge, Dad (No Exit Press)<br />
Playing live a set list of the songs that have inspired him<br />
In conversation with Guy Sangster Adams, editor of Plectrum, telling tales from 20 years of combining the writing of short fiction, non fiction, and music journalism, with singing, song writing, recording, and world tours<br />
<a href="http://www.myspace.com/maxdecharne">Max Décharné</a><br />
<a href="http://www.myspace.com/theflamingstars">The Flaming Stars</a><br />
PLECTRUM &#8211; THE CULTURAL PICK is a multi-platform arts magazine edited by Guy Sangster Adams, with a bi-monthly print edition, filmed interviews, profiles, and performances available on the Plectrum Broadcast Player on the website, which is also home to the Plectrum Webzine, and regular Plectrum Live Edition events mixing spoken word, live music, screenings, author readings, fashion shows, art and more. <a href="http://www.theculturalpick.com"> www.theculturalpick.com</a><br />
<a href="http://www.thehorsehospital.com/archives/JefferyWest_Logo.JPG"><img src="http://www.thehorsehospital.com/archives/JefferyWest_Logo-thumb.JPG" alt="JefferyWest_Logo.JPG" width="442" height="74" /></a><br />
Plectrum Live Editions put their best foot forward in shoes and boots from<br />
<a href="http://www.jeffery-west.co.uk"> www.jeffery-west.co.uk</a></p>
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		<title>The Ginger Light</title>
		<link>http://www.thehorsehospital.com/past/live-past/the-ginger-light-2/</link>
		<comments>http://www.thehorsehospital.com/past/live-past/the-ginger-light-2/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 19:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past Live]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=457</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="color: #ff0000;">Saturday 5th December</span></span><br />
Doors 7:30pm<br />
£5<br />
<a onclick="window.open('http://www.thehorsehospital.com/archives/Ginger%20Light%20at%20HH%20Dec%205%2009.html','popup','width=604,height=341,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://www.thehorsehospital.com/archives/Ginger%20Light%20at%20HH%20Dec%205%2009.html"><img src="http://www.thehorsehospital.com/archives/Ginger%20Light%20at%20HH%20Dec%205%2009-thumb.jpg" alt="" width="442" height="249" /></a><br />
The Ginger Light is a unique collaboration between poet and novelist Jeremy Reed and musician Itchy Ear. Together they create a performance dynamic unparalleled in British poetry and an excitement usually only generated by pop. Jeremy Reed has been called by JG Ballard &#8216;the most gifted poet working today&#8217;, and has published more than 40 books of award-winning poetry and fiction, the latest being This is how you disappear (2007), West End Survival Kit (2009) and Bona Drag (2009). Of his recent novel The Grid (2008), Pete Doherty wrote, &#8216;Jeremy Reed is a legend. What more can you fucking ask?&#8217; Since forming his musical collaboration with Itchy Ear as the Ginger Light last year they have taken in the Horse Hospital earlier this year, a sold-out headline performance at the ICA this summer and the Serpentine Gallery Poetry Marathon alongside Gilbert and George, Richard Hell and Brian Eno this October. They aim for the stars.<br />
The Ginger Light will be screening some of their favourite short films before their performance:<br />
&#8220;Bill and Tony&#8221; by Antony Balch<br />
Lou Reed, John Cale and Nico in perfomance at Le Bataclan in Paris, on January 29, 1972.<br />
And the first movie version of Lewis Caroll&#8217;s novel &#8216;Alice in Wonderland&#8217;, directed made 1903 by Cecil Hepworth, with new electronic score by Itchy Ear.<br />
<a href="http://www.jeremyreed.co.uk">www.jeremyreed.co.uk</a><br />
<a href="http://www.myspace.com/thegingerlight">myspace</a></p>
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		<title>The Light &amp; Shadow Salon</title>
		<link>http://www.thehorsehospital.com/past/live-past/the-light-shadow-salon/</link>
		<comments>http://www.thehorsehospital.com/past/live-past/the-light-shadow-salon/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 01:33:02 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past Live]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=456</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="color: #ff0000;">Tuesday 8th December</span></span><br />
Doors 7:30pm<br />
£3<br />
<a onclick="window.open('http://www.thehorsehospital.com/archives/DECEMBER%20SALON.html','popup','width=709,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://www.thehorsehospital.com/archives/DECEMBER%20SALON.html"><img src="http://www.thehorsehospital.com/archives/DECEMBER%20SALON-thumb.jpg" alt="" width="442" height="311" /></a><br />
The Light &amp; Shadow Salon is a place for artists, writers and audience to meet and share ideas about the past, present and future of the moving image in all its forms.<br />
The Salon is a place for exchange, interaction and cross-pollination and it welcomes active contributions and interventions from all its participants.<br />
The Salon endeavours to support a structured and informed dialogue around film, the moving image and all that it involves: from magic to science, from sound to the eye, from ritualism to storytelling, from myth-making to hypnosis.<br />
The Salon intends to act as a temporary and ephemeral container for all the work, ideas and people with an independent, radical and idiosyncratic nature, who renounce to find a home in existing movements/institutions but rather embrace the nomadic and transitory nature of art.<br />
The Salon supports individual thought, inquisitive minds and a desire to further knowledge through dialogue and exchange.<br />
<a href="http://www.thelightandshadowsalon.wordpress.com">The Light &amp; Shadow Salon</a><br />
The Light &amp; Shadow Salon presents&#8230; &#8220;BIZARRE, SURREAL AND HORROR IN THE MOVING IMAGE&#8221;<br />
An evening of open conversation and exchange<br />
featuring moving image work by<br />
RUDOLF BUITENDACH // OLIVER CHEETHAM // MARTIN EARLE //  YUI HAMAGASHIRA // SHELLY LOVE // MATTEO PIZZARELLO // JAMES ROGAN // CARL STEVENSON<br />
compositions and soundscapes by JAMES HESFORD<br />
and the participation of writer and editor MARK PILKINGTON<br />
and painter Nicholas McArthur<br />
plus live music by GEORGES KAPLAN<br />
&#8216;So when you hear yourself invited to &#8216;see&#8217;, it is not the sight of this eye (of the flesh) that I would have you think about. You have another eye within, much clearer that that one, an eye that looks at the past, the present, and the future all at once, which sheds the light and keenness of its vision over all things, which penetrates things hidden and searches into complexities, needing no other light by which to see all this, but seeing by the light that it possesses itself.&#8217;<br />
(Hugh of St Victor)</p>
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		<title>Alejandro Jodorowsky &amp; Pascale Montandon</title>
		<link>http://www.thehorsehospital.com/past/the-chamber-of-pop-culture-past/455/</link>
		<comments>http://www.thehorsehospital.com/past/the-chamber-of-pop-culture-past/455/#comments</comments>
		<pubDate>Sat, 28 Nov 2009 19:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past The Chamber of Pop Culture]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=455</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thehorsehospital.com/archives/HHa%2Bpimage.jpg"><img src="http://www.thehorsehospital.com/archives/HHa%2Bpimage-thumb.jpg" alt="HHa+pimage.jpg" width="442" height="339" /></a><br />
<span style="font-size: medium;"><span style="color: #ff0000;">Exhibition: Saturday 7th &#8211; Saturday 28th November 2009<br />
Monday &#8211; Saturday 12 &#8211; 6pm</span></span><br />
<strong>Alejandro Jodorowsky &amp; Pascale Montandon</strong><br />
Guerilla Zoo presents an exclusive exhibition of an exciting new series of collaborative artworks by Alejandro Jodorowsky and Pascale Montandon. Together they have created a wonderful merging of talents, with pen and inks by Alejandro and watercolours by Pascale, covering various themes including; Love, Violence, Spritiuality, Psychomagik / Psychogenology, Tarot, Absurdism and other Jodorowskian subjects.<br />
In this new series of work, which echoes back to the Panic Fables, Jodorowsky continues his ever developing personal themes and concepts.<br />
Together with his partner Pascale Montandon, they have created a &#8216;third mind&#8217; through their art. The work appears as a powerful combination of both artist&#8217;s unique creative process. Jodorowsky&#8217;s clearly recognisable characters and Montandon&#8217;s evoking colourscapes merge beautifully. This series of work is in their own words, &#8216;our child!&#8217;<br />
<strong>Alejandro Jodorowsky</strong><br />
During the late 1960s Jodorowsky started mixing his avant-garde projects with mystical curiosity. In 1966, editor Luis Spota invited Jodorowsky to publish a regular comic strip in the cultural pages of the daily paper in &#8216;El Heraldo de México&#8217;, under the title &#8216;Fábulas Pánicas&#8217;. These &#8216;fables&#8217; had a thinly veiled autobiographical tone while covering all kinds of esoteric subjects, where Jodorowsky submitted to the most arcane Oriental wisdom with humorous non-attachment. The comic strip enjoyed great popularity, and Jodorowsky kept producing and publishing if until the end of 1973, leaving an excellent eyewitness report on the spiritual restlessness of a nation prevalent in those years. His mystical experimentation proposed a sort of faithless mysticism. Getting away from the truth or falsity of religious concepts, he concentrated on the &#8220;magical&#8221; healing effects produced by his actions: &#8220;If this is a trap, it&#8217;s a sacred trap.&#8221;<br />
<strong>Pascale Montandon</strong><br />
Pascale Montandon has been exhibiting her emotional charged art works since 1989. She paints on paper and canvas using inks and collage creating a perfect balance in handling spaces and silent pauses that punctuate her compositions. She masters a science of abstraction of forms and balances. Her work on is set on and hangs in a perfect rhythm, which constantly resonates in the contemplation of her work.<br />
* Part of A SEASON OF JODOROWSKY <a href="http://www.guerrillazoo.com/season-of-jodorowsky"> www.guerrillazoo.com</a></p>
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		<title>The Holy Mountain</title>
		<link>http://www.thehorsehospital.com/past/kinokulture-past/the-holy-mountain/</link>
		<comments>http://www.thehorsehospital.com/past/kinokulture-past/the-holy-mountain/#comments</comments>
		<pubDate>Fri, 27 Nov 2009 22:55:40 +0000</pubDate>
		<dc:creator>Tai</dc:creator>
				<category><![CDATA[Past]]></category>
		<category><![CDATA[Past Kinokulture]]></category>

		<guid isPermaLink="false">http://www.thehorsehospital.com/wordpress/?p=454</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="color: #ff0000;">Friday 27th November</span></span><br />
Doors 7:30pm<br />
£5<br />
<a href="http://www.thehorsehospital.com/archives/holymountain.jpg"><img src="http://www.thehorsehospital.com/archives/holymountain-thumb.jpg" alt="holymountain.jpg" width="442" height="187" /></a><br />
The Holy Mountain<br />
Screenplay : Alejandro Jodorowsky<br />
Cinematography : Raphael Corkidi<br />
Director : Alejandro Jodorowsky<br />
Music : Alejandro Jodorowsky, Ronald Frangipane, Don Cherry<br />
Run Time: 1H 54M<br />
The scandal of the 1973 Cannes Film Festival, writer/director Alejandro Jodorowsky&#8217;s flood of sacrilegious imagery and existential symbolism is a spiritual quest for enlightenment pitting illusion against truth.  The Alchemist (Jodorowsky) assembles together a group of people from all walks of life to represent the planets in the solar system.  The occult adept&#8217;s intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island.  There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.<br />
<a href="http://www.thehorsehospital.com/archives/hm1.jpg"><img src="http://www.thehorsehospital.com/archives/hm1-thumb.jpg" alt="hm1.jpg" width="442" height="206" /></a><br />
* Part of A SEASON OF JODOROWSKY <a href="http://www.guerrillazoo.com/season-of-jodorowsky"> www.guerrillazoo.com</a></p>
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